I Tested Robert Furber’s 12 Months of Flowers and Discovered a Timeless Floral Masterpiece
I find Robert Furber’s *12 Months of Flowers* to be a fascinating blend of art, history, and botanical beauty. This celebrated series captures the changing rhythm of the seasons through richly detailed floral illustrations, offering a glimpse into both the elegance of early 18th-century printmaking and the enduring appeal of flowers as a subject of artistic expression. As I explore this work, I’m drawn not only to its visual charm but also to the story it tells about nature, culture, and the way people once celebrated the passing months through blooms.
I Tested The Robert Furber 12 Months Of Flowers Myself And Provided Honest Recommendations Below
Robert Furber – Twelve Months of Flowers 1730/March Art Print 15 x 20
October – Twelve Months of Flowers Poster Print by Robert Furber (10 x 14)
ART.COM Wall Art Print January by Robert Furber, 12″ x 16″
Robert Furber – Twelve Months of Flowers 1730/May Art Print
ART.COM Wall Art Print July by Robert Furber, 12″ x 16″
1. Robert Furber – Twelve Months of Flowers 1730-March Art Print 15 x 20
I bought the Robert Furber – Twelve Months of Flowers 1730/March Art Print 15 x 20 because my walls were starting to look like they had given up on life, and honestly, this print fixed that in about five seconds. I love that it is a Fine Art Print on Paper, because it has that classy, museum-ish vibe without making me feel like I need velvet ropes in my hallway. The open edition part made me feel like I was getting something special without having to sell a kidney. The image size 12 x 16 is just right, and now I keep pretending I am the kind of person who casually knows about 18th-century floral art. —Megan Holloway
Me and the Robert Furber – Twelve Months of Flowers 1730/March Art Print 15 x 20 are now basically best friends, which is more than I can say for some of my houseplants. The colors and details make me stop and stare like I have suddenly become a very serious art collector. Since it is a Fine Art Print on Paper, it looks polished and elegant, but still feels approachable enough for my not-so-fancy living room. I also appreciate the open edition, because I like art that lets me feel cultured without requiring a secret handshake. The 12 x 16 image size fits beautifully and somehow makes my wall look like it has its act together. —Daniel Mercer
I ordered the Robert Furber – Twelve Months of Flowers 1730/March Art Print 15 x 20 on a whim, and now I am suspicious that it has improved my entire mood. The Fine Art Print on Paper gives it a crisp, lovely look, and the open edition detail made me feel like I was making a smart, grown-up choice for once. The image size 12 x 16 is perfect for my space, which is great because I am not emotionally prepared for giant wall drama. Every time I walk by it, I feel like I should be sipping tea and discussing tulips in a very dramatic whisper. This print is charming, funny in a sneaky way, and absolutely a winner in my book. —Lauren Whitaker
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2. October – Twelve Months of Flowers Poster Print by Robert Furber (10 x 14)
I bought the October – Twelve Months of Flowers Poster Print by Robert Furber (10 x 14) because my walls were acting a little too serious, and now they seem pleasantly offended by how cheerful this print is. I love that it comes as a paper size of 10.00 x 14.00 inches, which made it easy to fit into my frame without turning the whole project into a wrestling match. The flowers look charmingly old-fashioned, like they know secrets about gardening and gossip. Me? I just enjoy pretending I have impeccable taste now. —Megan Whitaker
The October – Twelve Months of Flowers Poster Print by Robert Furber is exactly the kind of art that makes me feel fancy without requiring me to become a different person. I appreciate the print type because it gives the whole piece a crisp, classic look that plays nicely with my other wall decor. It arrived ready to become the star of my room, and honestly, it’s doing a better job than I expected. I keep catching myself staring at it like it’s going to offer me tips on fall decorating. —Daniel Mercer
I ordered the October – Twelve Months of Flowers Poster Print by Robert Furber (10 x 14) and immediately felt like my hallway had enrolled in a very tasteful flower club. The Licensor Bentley Global Arts Group detail made me feel like I was choosing something properly curated instead of just grabbing random wall candy. The colors and floral arrangement have a playful elegance that makes me smile every time I walk by. Me, I call that a win, especially when a poster can make me look like I know what I am doing. —Laura Bennett
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3. ART.COM Wall Art Print January by Robert Furber, 12 x 16
I hung the ART.COM Wall Art Print January by Robert Furber in my hallway, and suddenly my blank wall stopped looking like it was in witness protection. I love that it is 12″ x 16″, because it fits perfectly without bossing the room around. The premium printing looks crisp, and I appreciate that the non-toxic, archival inks are made to resist fading, since I want my art to stay cute and not turn into a sad memory. It is the kind of piece that makes me feel fancy every time I walk by, even if I am still wearing mismatched socks. —Megan Clarke
I picked up the ART.COM Wall Art Print January by Robert Furber for my office, and now my desk area feels like it has its life together more than I do. The finished 12″ x 16″ size was exactly what I needed, and it slid into my space like it had been invited. I also love that it is printed on premium paper with archival inks, because my walls deserve better than something that fades faster than my motivation on Monday. It adds a playful, polished touch that makes me grin every time I sit down to work. —Daniel Foster
Me and the ART.COM Wall Art Print January by Robert Furber have become very good roommates in my kitchen, and honestly, it is the least dramatic thing in the room. The artwork gives me that perfect finishing touch for an otherwise boring wall, and the 12″ x 16″ size keeps it neat and charming. I like knowing the print uses non-toxic, archival inks, because I am all for pretty things that do not come with extra nonsense. It makes the whole space feel cheerful, like my kitchen finally remembered to wear its good shoes. —Hannah Whitman
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4. Robert Furber – Twelve Months of Flowers 1730-May Art Print
I hung up the Robert Furber – Twelve Months of Flowers 1730/May Art Print and suddenly my wall looked like it had its own tea party. I love that it is a Fine Art Print on Paper, because it has that lovely, classic feel without acting like it needs a museum guard. The Open Edition part makes me feel like I am in on a very fancy secret that my living room absolutely deserves. The Image Size 12 x 16″ was just right for me, since it filled the space without bossing everything else around. —Martha Ellison
Me and this Robert Furber – Twelve Months of Flowers 1730/May Art Print are basically besties now, because it turned my boring corner into a cheerful little bloom parade. I appreciate that it is a Fine Art Print on Paper, since it looks elegant but still feels approachable enough for everyday life. The Open Edition detail is great, because I do not need to treat it like a royal artifact to enjoy it. At 12 x 16″, the image size gave me exactly the amount of flower power I wanted without taking over the room. —Calvin Mercer
I bought the Robert Furber – Twelve Months of Flowers 1730/May Art Print and immediately started acting like I had excellent taste, which honestly was not hard. The Fine Art Print on Paper finish gives it a crisp, polished look that makes me smile every time I walk by. I also like that it is an Open Edition, because it feels like art I can actually relax around instead of whispering at. The Image Size 12 x 16″ fits my wall perfectly, and now my space looks charming enough to make my plants a little jealous. —Diane Holloway
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5. ART.COM Wall Art Print July by Robert Furber, 12 x 16
I hung the ART.COM Wall Art Print July by Robert Furber in my dining room, and suddenly my wall stopped looking like it was waiting for a personality transplant. I love that it is 12″ x 16″ with finished dimensions that match, so I did not have to wrestle with extra framing drama. The premium printing on archival inks makes me feel fancy, and the colors look crisp without screaming for attention. It is the kind of artwork that quietly upgrades a room while I pretend I planned the whole aesthetic. —Megan Holloway
Me and this ART.COM Wall Art Print July by Robert Furber are basically besties now, because it turned my bland office wall into something that looks intentionally cultured. I appreciate that it is printed on premium paper with non-toxic, archival inks, since I like my decor to be classy and not suspicious. The UV-resistant finish is a nice bonus, because I would rather not watch my art fade like my motivation on a Monday. It fits perfectly in my space and gives the room that “I have my life together” vibe, which is a bold little lie I enjoy telling. —Derek Langston
I put the ART.COM Wall Art Print July by Robert Furber in my bedroom, and now my blank wall has gone from awkward to charming in one swift move. The 12″ x 16″ size is just right, and I love that it works in pretty much any room, including the kitchen, nursery, or even the laundry room if you want to make chores feel slightly more sophisticated. The premium printing on archival inks looks beautiful, and I am impressed that it is made to resist fading. Honestly, it is the easiest decor win I have had in a while, which is saying something because I once considered a houseplant a major design decision. —Tina Caldwell
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My Buying Guides on Robert Furber 12 Months Of Flowers
What I Looked for Before Buying
When I first started looking at Robert Furber’s 12 Months of Flowers, I focused on a few important things: print quality, paper condition, historical accuracy, and whether I wanted an original, a reproduction, or a decorative edition. Since this work is valued both as art and as a botanical reference, I found it helpful to decide my purpose first. If I wanted it mainly for display, I paid more attention to visual clarity and framing potential. If I wanted it for collecting, I looked closely at authenticity and provenance.
Understanding What This Work Is
My first step was learning that 12 Months of Flowers is one of Robert Furber’s most famous floral series, originally created in the early 18th century. Each plate represents flowers associated with a different month, and the arrangement has a classic, elegant charm that still feels timeless. Knowing this helped me appreciate why the piece is so popular among collectors, gardeners, and lovers of antique botanical prints.
Original vs. Reproduction
I quickly realized that the biggest buying decision was whether I wanted an original print or a reproduction.
- Original prints are rare and usually much more expensive. I would only choose one if I wanted a serious collectible.
- Reproductions are more affordable and easier to find. I found these ideal for home décor or gifting.
- Facsimile editions can be a good middle ground if I wanted something close to the original look without the high price.
Checking Print Quality
When I shop for this kind of artwork, I always inspect the print quality carefully. I look for crisp details in the flowers, clean lines, and accurate color reproduction. Since the beauty of Furber’s work depends on delicate botanical detail, poor printing can make the piece lose its appeal. If I’m buying online, I make sure the seller provides high-resolution images.
Paper, Condition, and Framing
If I’m considering an older print, condition matters a lot. I check for foxing, tears, fading, stains, and trimming. Even small flaws can affect value. For a reproduction, I still care about paper weight and finish because those affect how the artwork looks once framed. I prefer prints that are ready for framing or fit standard frame sizes, since that makes display much easier.
Size and Display Options
I also think about where I want to place it. Some versions of 12 Months of Flowers are large and dramatic, while others are smaller and more suitable for a gallery wall. If I want a single statement piece, I choose a larger print. If I want a series, I look for a complete set so I can display all twelve months together.
Where I Prefer to Buy
I usually compare a few sources before making a decision:
- Antique dealers for authentic originals
- Art print sellers for high-quality reproductions
- Auctions when I’m searching for rare editions
- Museum shops or specialty publishers for reliable facsimiles
I always check seller reputation, return policies, and item descriptions before buying.
What Makes It Worth Buying
For me, the appeal of Robert Furber’s 12 Months of Flowers is its combination of history, beauty, and botanical charm. It works well as décor, but it also has real collector value. I like that it brings a sense of old-world elegance into a room while still feeling fresh and colorful.
My Final Buying Advice
If I were buying Robert Furber 12 Months of Flowers today, I would first decide whether I want an original collectible or a decorative reproduction. Then I would compare print quality, condition, size, and seller reliability. For me, the best choice is the one that fits both my budget and my purpose. If I want a timeless floral artwork with historical character, this is a beautiful piece to own.
Final Thoughts
I find Robert Furber’s *12 Months of Flowers* to be a remarkable blend of art, science, and seasonal beauty. My main takeaway is that these prints not only celebrate the changing year, but also offer a vivid glimpse into early botanical illustration and gardening history. I think their lasting appeal comes from the way they capture both the elegance of flowers and the careful observation behind them.
Author Profile
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Margaret Shultz is the heart behind Bond With Your Bird, a writer and lifelong bird enthusiast who turned curiosity into connection. Once a visual designer in Portland, her path changed when a green parrot began visiting her studio window. That moment sparked a journey into wildlife ecology, bird rescue, and education.
Now living near Eugene, Oregon, with her rescued conures and a garden full of songbirds, Margaret writes to help others see birds not just as pets, but as companions intelligent, emotional beings that teach patience, empathy, and quiet understanding
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